In the Third considers the devoted and complex art practices of the women in my maternal family and their influence on my personal desires as an image maker. The project uses an integration of text, image, and collage to visually articulate a connectivity across three generations. The mediums of collage and photography provide different affective modes for locating these layered negotiations of memory and imagination, family and autonomy, material and trace. Using the respective artistic materials of my mother and grandmother to make new assemblages allows me to claim subjectivity in relation to my creative attachments—particularly as they are shown in dialogue with my photographs made in Sudbury, Ontario the place that has shaped my tangible connection to this matrilineage.