Clea Christakos-Gee

Clea Christakos-Gee

Clea Christakos-Gee

Clea Christakos-Gee

Canada

Canada

Canada

Canada

Series: In the Third

Series: In the Third

Series: In the Third

Series: In the Third

In the Third considers the devoted and complex art practices of the women in my maternal family and their influence on my personal desires as an image maker. The project uses an integration of text, image, and collage to visually articulate a connectivity across three generations. The mediums of collage and photography provide different affective modes for locating these layered negotiations of memory and imagination, family and autonomy, material and trace. Using the respective artistic materials of my mother and grandmother to make new assemblages allows me to claim subjectivity in relation to my creative attachments—particularly as they are shown in dialogue with my photographs made in Sudbury, Ontario the place that has shaped my tangible connection to this matrilineage.

On the Porch, 2018.
On the Porch, 2018.
On the Porch, 2018.
On the Porch, 2018.
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From the Garden, 2018.
From the Garden, 2018.
From the Garden, 2018.
From the Garden, 2018.
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A Hole, 2018, Photo Collage on Archival Paper.
A Hole, 2018, Photo Collage on Archival Paper.
A Hole, 2018, Photo Collage on Archival Paper.
A Hole, 2018, Photo Collage on Archival Paper.

“I look at her and think, there, she exists, like a tree, a lake, a sky, a planet, she exists, daughter.”—Margaret Christakos, Her Paraphernalia, 2016.

“I look at her and think, there, she exists, like a tree, a lake, a sky, a planet, she exists, daughter.”—Margaret Christakos, Her Paraphernalia, 2016.

“I look at her and think, there, she exists, like a tree, a lake, a sky, a planet, she exists, daughter.”—Margaret Christakos, Her Paraphernalia, 2016.

“I look at her and think, there, she exists, like a tree, a lake, a sky, a planet, she exists, daughter.”—Margaret Christakos, Her Paraphernalia, 2016.

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Motherlines, 2018, Photo Collage on Archival Paper.
Motherlines, 2018, Photo Collage on Archival Paper.
Motherlines, 2018, Photo Collage on Archival Paper.
Motherlines, 2018, Photo Collage on Archival Paper.

“Alongside what I have embodied about my grandmother’s girlhoods, and what I have been able to summon about their mothers and other women in our motherlines...with incessant rhythm, as lakes shift, and wind moves, and language undresses and confesses and curls.”—Margaret Christakos, Her Paraphernalia, 2016.

“Alongside what I have embodied about my grandmother’s girlhoods, and what I have been able to summon about their mothers and other women in our motherlines...with incessant rhythm, as lakes shift, and wind moves, and language undresses and confesses and curls.”—Margaret Christakos, Her Paraphernalia, 2016.

“Alongside what I have embodied about my grandmother’s girlhoods, and what I have been able to summon about their mothers and other women in our motherlines...with incessant rhythm, as lakes shift, and wind moves, and language undresses and confesses and curls.”—Margaret Christakos, Her Paraphernalia, 2016.

“Alongside what I have embodied about my grandmother’s girlhoods, and what I have been able to summon about their mothers and other women in our motherlines...with incessant rhythm, as lakes shift, and wind moves, and language undresses and confesses and curls.”—Margaret Christakos, Her Paraphernalia, 2016.

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In the First, 2018, Photo Collage on Archival Paper.
In the First, 2018, Photo Collage on Archival Paper.
In the First, 2018, Photo Collage on Archival Paper.
In the First, 2018, Photo Collage on Archival Paper.

“You definitely exist. You shimmer. You don’t need a mirror.”—Margaret Christakos, Her Paraphenalia, 2016.

“You definitely exist. You shimmer. You don’t need a mirror.”—Margaret Christakos, Her Paraphenalia, 2016.

“You definitely exist. You shimmer. You don’t need a mirror.”—Margaret Christakos, Her Paraphenalia, 2016.

“You definitely exist. You shimmer. You don’t need a mirror.”—Margaret Christakos, Her Paraphenalia, 2016.

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It is a Mirror I am Missing, 2018, Photo Collage on Archival Paper.
It is a Mirror I am Missing, 2018, Photo Collage on Archival Paper.
It is a Mirror I am Missing, 2018, Photo Collage on Archival Paper.
It is a Mirror I am Missing, 2018, Photo Collage on Archival Paper.
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Holding M.J.C., 2018.
Holding M.J.C., 2018.
Holding M.J.C., 2018.
Holding M.J.C., 2018.
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Once a Body is a Mother, 2018.
Once a Body is a Mother, 2018.
Once a Body is a Mother, 2018.
Once a Body is a Mother, 2018.
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You’re the Spitting Image of my Woman Image, 2018.
You’re the Spitting Image of my Woman Image, 2018.
You’re the Spitting Image of my Woman Image, 2018.
You’re the Spitting Image of my Woman Image, 2018.
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Overlapping Appearances, 2018.
Overlapping Appearances, 2018.
Overlapping Appearances, 2018.
Overlapping Appearances, 2018.
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The Magenta Foundation gratefully acknowledges the support of TD Bank Group for their ongoing commitment to Flash Forward and to emerging artists.

© 2019 The Magenta Foundation